Natural gas 9.2 GW dominates the centre-right as a large cluster of compact CCGT power stations with tall single exhaust stacks emitting pale vapour, lit by sodium-orange floodlights; brown coal 8.3 GW occupies the left third as massive hyperbolic cooling towers with thick white steam plumes rising into the black sky, their concrete shells glowing amber from ground-level industrial lighting; biomass 4.0 GW appears as a mid-sized wood-fired plant with a conveyor belt and a single squat smokestack near the centre-left; wind onshore 3.1 GW is represented by a small row of three-blade turbines on a distant ridge, their rotors barely turning, red aviation warning lights blinking; hard coal 2.9 GW shows as a smaller coal-fired station with bunker silos and a tapered chimney on the far left; hydro 1.8 GW appears as a concrete dam with illuminated spillway in the mid-ground valley; wind offshore 0.4 GW is a single distant turbine silhouette near the horizon. The sky is completely dark, deep navy-black, no twilight, no sky glow, stars partially visible through 38% cloud patches. The landscape is a warm summer night — lush green deciduous trees and grass barely visible in reflected industrial light, leaves perfectly still in the windless air. Overhead high-voltage transmission lines with lattice pylons stretch across the scene, symbolising heavy import flows. The atmosphere feels heavy and oppressive, haze lingering around the cooling towers, reflecting the high electricity price. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, dramatic chiaroscuro between the deep black sky and the glowing amber industrial facilities, atmospheric depth receding into darkness, meticulous engineering detail on every turbine nacelle, cooling tower rib, and exhaust stack. No text, no labels.