Brown coal 8.3 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers emitting thick white-grey steam plumes lit from below by orange sodium lamps; natural gas 8.3 GW fills the center as a row of compact CCGT power blocks with tall single exhaust stacks venting shimmering heat haze, illuminated by bright industrial floodlights; wind onshore 4.5 GW occupies the right quarter as a line of tall three-blade turbines on a dark ridgeline, their red aviation warning lights blinking; wind offshore 0.7 GW appears as a distant sliver of tiny turbine silhouettes on the far-right horizon; biomass 3.8 GW is rendered as a medium-sized industrial plant with a wood-chip conveyor and a single smokestack between the gas and coal facilities; hard coal 2.9 GW appears as a smaller classical coal plant with a rectangular boiler house and twin chimneys behind the lignite towers; hydro 1.7 GW is depicted as a concrete dam spillway at the far left edge with faintly moonlit water cascading down. The sky is completely dark, deep navy-black, no twilight or sky glow, scattered stars visible through 21% thin cloud wisps, a warm June midnight atmosphere. The air feels heavy and oppressive reflecting the high electricity price — a slight industrial haze hangs over the scene, sodium-orange and pale-blue artificial light reflecting off low mist. Lush green summer vegetation is barely visible in the darkness at ground level. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — rich impasto brushwork, dramatic chiaroscuro between glowing industrial facilities and the surrounding darkness, atmospheric depth with layered distance, meticulous engineering accuracy on turbine nacelles, lattice towers, cooling tower parabolic curves, CCGT exhaust geometry. No text, no labels.