Brown coal 6.9 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the black sky, lit from below by orange sodium lamps and glowing furnace mouths; onshore wind 6.4 GW fills the centre-right as a long row of three-blade turbines on lattice towers, their aviation warning lights blinking red against the darkness, rotors turning slowly in light wind; natural gas 5.8 GW appears as a pair of compact CCGT plants with tall single exhaust stacks emitting thin heat shimmer, illuminated by harsh industrial floodlights; biomass 3.6 GW is rendered as a mid-sized industrial facility with a wood-chip conveyor and a moderately sized smokestack with faint pale exhaust; hard coal 2.8 GW sits as a coal-fired plant with a single large stack and visible coal bunkers, glowing under amber work lights; hydro 1.8 GW appears as a concrete dam spillway in the far background, small but visible with white water catching artificial light; offshore wind 1.0 GW is suggested by a distant line of tiny red lights on the far horizon. The sky is completely black with heavy 96% overcast, no stars, no moon, no twilight — a deep navy-to-black oppressive canopy pressing down. The atmosphere is heavy, humid, almost suffocating, conveying the high electricity price. The landscape is a gently rolling central German plain in early summer with lush dark green vegetation barely visible in the industrial glow. Sodium streetlights cast amber pools along an access road. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, dramatic chiaroscuro with deep blacks and warm industrial oranges, atmospheric depth receding into haze, meticulous engineering detail on every turbine nacelle, cooling tower rib, and exhaust stack. No text, no labels.