Brown coal 6.6 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into still air; solar 8.3 GW occupies the center-left as vast fields of aluminium-framed crystalline silicon photovoltaic panels angled toward the low western sun, their surfaces catching the last orange-gold light; natural gas 5.5 GW appears center-right as a compact CCGT power station with tall single exhaust stacks emitting thin heat shimmer; wind onshore 4.6 GW is rendered as a sparse line of three-blade turbines on lattice towers standing motionless on a distant ridge at right; wind offshore 2.2 GW is suggested by a handful of turbines on the far-right horizon above a hazy coastal strip; biomass 3.7 GW appears as a mid-ground industrial facility with a wood-chip storage dome and a modest smokestack; hard coal 2.8 GW sits beside the brown coal plant as a smaller conventional boiler house with conveyor belts and a single rectangular chimney; hydro 1.8 GW is a concrete dam visible in a valley at far left. The sky is a late-dusk scene at 19:00 in June — the sun is very low on the western horizon casting a deep orange-red glow across the lower sky, the upper sky darkening to warm indigo, completely cloudless. The atmosphere feels heavy and oppressive, with heat haze shimmering above the parched golden-brown grassland and dry summer vegetation, conveying extreme warmth of 33 degrees. No wind movement visible anywhere — flags limp, grass still, turbine blades frozen. The light has a thick, amber, almost suffocating quality suggesting high electricity prices and thermal stress. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich impasto brushwork, dramatic chiaroscuro, and atmospheric depth, yet meticulous engineering accuracy in every turbine nacelle, PV module frame, cooling tower contour, and exhaust stack detail. No text, no labels.