Brown coal 5.7 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into blackness; natural gas 5.1 GW occupies the left-centre as a pair of compact CCGT plants with tall single exhaust stacks emitting thin vapour, lit by amber sodium lights; wind onshore 9.2 GW spans the entire right half of the composition as dozens of tall three-blade turbines on lattice and tubular towers, their red aviation warning lights blinking in the darkness; wind offshore 1.4 GW appears as a small cluster of turbines on the far-right horizon above a faintly reflective sea surface; biomass 3.6 GW is rendered as a mid-sized industrial facility with a wood-chip conveyor and a single smokestack with warm exhaust, situated centre-right; hard coal 2.7 GW appears as a coal-fired plant with a rectangular chimney and coal stockpile near the left, illuminated by floodlights; hydro 1.7 GW is suggested by a concrete dam structure with water cascading under floodlights at the far left edge. The sky is entirely black with 100% overcast — no stars, no moon, no twilight, only a low heavy blanket of invisible cloud faintly reflecting the orange industrial glow from below. The atmosphere feels heavy and oppressive, reflecting the high electricity price. The warm 21°C summer night shows lush dark-green deciduous foliage barely visible in the artificial light. Light wind barely stirs the leaves. All rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters — rich deep tones of black, dark navy, amber and ochre, visible impasto brushwork, atmospheric chiaroscuro depth — yet with meticulous engineering accuracy in every turbine nacelle, cooling tower curvature, and exhaust stack detail. No text, no labels.