Brown coal 5.3 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers emitting thick steam plumes into a heavy grey sky; solar 11.5 GW occupies the centre-left as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat farmland, their surfaces dull under diffuse light with no sun reflections; wind onshore 6.1 GW fills the centre-right as dozens of three-blade turbines on tall lattice and tubular towers across rolling green hills, blades turning slowly in light wind; biomass 3.9 GW appears as a mid-ground industrial facility with a tall stack and wood-chip storage silos; natural gas 3.2 GW sits as a compact CCGT plant with a single tall exhaust stack and visible heat shimmer; hard coal 1.9 GW appears as a smaller power station with a square brick chimney releasing a thin grey plume; wind offshore 1.6 GW is visible in the far background as a row of offshore turbines barely discernible on a flat grey North Sea horizon; hydro 1.7 GW appears as a concrete dam with water cascading into a green valley in the far right background. The sky is entirely overcast with a thick uniform blanket of stratus clouds in tones of pewter and slate grey, creating a heavy, oppressive atmosphere reflecting the high electricity price. The light is early-morning dawn transitioning to grey daylight — pale blue-grey illumination from the east, no direct sunlight, no shadows, everything bathed in flat diffuse light consistent with 07:00 in late June. Lush green summer vegetation at 19.9°C — full canopy trees, tall grass, wildflowers in meadows. High-voltage transmission lines with lattice pylons cross the scene, symbolising the heavy import flows. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich layered colour with visible confident brushwork, atmospheric depth created through sfumato-like haze around distant cooling towers, meticulous engineering accuracy on every turbine nacelle, every panel frame, every concrete curve of the cooling towers. The mood is contemplative and industrially sublime. No text, no labels.