Wind onshore 7.4 GW and offshore 2.6 GW together span the right third of the scene as dozens of three-blade turbines on lattice towers spread across rolling hills and a distant dark coastline, rotors turning slowly in light breeze; brown coal 8.6 GW dominates the left third as massive hyperbolic cooling towers emitting thick pale steam plumes, lit from below by orange sodium lamps of a sprawling lignite power complex; natural gas 5.4 GW occupies the centre-left as a cluster of compact CCGT units with tall single exhaust stacks releasing thin heat shimmer; hard coal 2.8 GW appears as a smaller conventional power station with rectangular chimneys beside a coal stockpile; biomass 3.8 GW is rendered as a modest wood-chip-fired plant with a rounded silo and low stack near the centre; hydro 1.7 GW appears as a concrete dam with spillway in a valley in the middle distance. Time is midnight: the sky is completely black with faint stars partially veiled by 34% high cloud, no twilight or sky glow whatsoever. All structures are lit only by artificial light — sodium-orange and white industrial floodlights cast harsh pools on concrete and steel. The warm 21.7°C summer night is conveyed by lush dark-green deciduous foliage barely visible at the edges, and a faint humid haze hangs low over the ground. The atmosphere feels heavy and oppressive reflecting the high 128.4 EUR/MWh price — a brooding, weighty industrial nightscape. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich deep colour, visible impasto brushwork, dramatic chiaroscuro, and atmospheric depth. Each energy technology rendered with meticulous engineering accuracy — turbine nacelles, three-blade rotors, hyperbolic cooling tower geometry, CCGT exhaust stacks, dam buttresses. The scene evokes a masterwork painting of the industrial sublime at night. No text, no labels.