Brown coal 7.7 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the black sky; wind onshore 5.9 GW fills the centre-right as a long row of tall three-blade turbines on lattice towers, blades slowly turning in light wind; natural gas 5.1 GW appears centre-left as a pair of compact CCGT plant buildings with slender exhaust stacks emitting thin heat shimmer; hard coal 2.8 GW sits just left of centre as a smaller coal plant with rectangular boiler house and a single squat smokestack; biomass 3.6 GW occupies the middle distance as a wood-chip-fueled industrial facility with a dome-topped digester and low orange-lit storage silos; wind offshore 1.8 GW is suggested at the far right horizon as faint red aviation warning lights in a line over a distant dark sea; hydro 1.7 GW appears as a small dam structure in a valley at far left with white water cascading in artificial floodlight. Time is 04:00 in summer — the sky is completely black, deep navy-black with faint stars, absolutely no twilight or dawn glow. All structures are lit only by sodium-orange streetlamps, industrial floodlights, and glowing furnace mouths casting warm amber reflections on surrounding terrain. The atmosphere feels heavy and oppressive, hinting at the high electricity price — low haze clings to the ground, diffusing the artificial lights into haloes. Foreground shows lush green summer vegetation barely visible in the dark, dew glistening under the nearest lamp. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich, luminous colour contrasts of deep indigo sky against warm industrial amber, visible confident brushwork, dramatic chiaroscuro, atmospheric depth receding into darkness, meticulous engineering accuracy on every turbine nacelle, cooling tower flute, and smokestack detail. No text, no labels.