Brown coal 7.8 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into pre-dawn air; onshore wind 5.5 GW occupies the centre-right as a long row of three-blade turbines on lattice towers turning slowly on a gentle breeze; natural gas 5.1 GW appears centre-left as compact CCGT units with slender exhaust stacks emitting thin heat shimmer; biomass 3.6 GW is rendered as a medium-sized industrial plant with a woodchip silo and modest smokestack behind the gas units; hard coal 2.8 GW shows as a conventional coal plant with a tall brick chimney and conveyor belt at far left; offshore wind 1.6 GW is visible on the distant horizon as a faint line of turbines above a flat river; hydro 1.7 GW appears as a concrete dam with spillway in the mid-ground valley; solar 0.8 GW is a small cluster of aluminium-framed crystalline silicon panels in the foreground meadow, catching no direct light yet. The sky is deep blue-grey with the faintest pale pre-dawn glow along the eastern horizon — no direct sunlight, no golden hues, just the first tentative luminance of civil twilight. The atmosphere feels heavy and oppressive, hazy, reflecting the high electricity price. Summer vegetation — lush green deciduous trees, tall grass — is rendered in muted tones under the dim light. Sodium-orange streetlights glow along a road in the foreground. Industrial facility windows emit warm yellow light. Painted as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich's atmospheric depth meets industrial realism — rich colour palette of deep navy, slate blue, warm amber from artificial light, cool grey steam; visible thick brushwork; meticulous engineering detail on every turbine nacelle, cooling tower shell, PV panel frame, and gas-stack flue. No text, no labels.