Brown coal 9.7 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers emitting thick white steam plumes into the black sky; natural gas 7.5 GW fills the centre-left as a row of compact CCGT plants with tall single exhaust stacks and warm orange sodium-lit facades; onshore wind 7.3 GW stretches across the centre-right as dozens of three-blade turbines on lattice and tubular towers, their red aviation warning lights blinking faintly, rotors turning slowly in light breeze; biomass 4.0 GW appears as a cluster of smaller industrial buildings with wood-chip storage domes and modest smokestacks glowing under floodlights in the right-centre; hard coal 3.0 GW is rendered as a traditional coal-fired station with a single large chimney and conveyor belt infrastructure at the far right; hydro 1.8 GW is suggested by a concrete dam with spillway in the far background right, subtle floodlights illuminating its face; offshore wind 0.8 GW is barely visible as tiny blinking lights on the far horizon beyond a dark sea glimpsed through a gap in the landscape. The sky is completely black with 100% overcast — no stars, no moon, no twilight glow — a heavy, oppressive blanket of cloud pressing down, conveying the high electricity price. The air is warm and humid, summer foliage on scattered deciduous trees rendered as dark silhouettes. Sodium-yellow and industrial-white artificial lights provide all illumination, casting pools of amber on wet-looking roads and rail sidings connecting the plants. Transmission pylons with high-voltage lines recede into the dark distance, symbolizing the heavy import flows. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, dramatic chiaroscuro between artificial light and engulfing darkness, atmospheric depth with industrial haze, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.