Brown coal 9.7 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into darkness; natural gas 6.1 GW occupies the centre-left as two compact CCGT power blocks with tall single exhaust stacks emitting thin heat shimmer, lit by sodium-orange floodlights; wind onshore 5.4 GW spans the centre-right as a row of three-blade turbines on lattice towers, their rotors turning slowly in light breeze, red aviation warning lights blinking; wind offshore 0.6 GW appears as a small distant cluster of turbines on the far right horizon; biomass 3.8 GW sits behind the gas plant as a wood-chip-fed facility with a modest smokestack and conveyor belt, warmly lit; hydro 1.7 GW appears as a concrete dam spillway in the right background with water gleaming under artificial light; hard coal 3.0 GW stands between the brown coal towers and gas plant as a smaller conventional plant with a single tall chimney and coal bunker. The sky is completely black, deep navy at most, a warm summer night at 1 AM with no twilight, no sky glow — only stars faintly visible through 45% cloud cover in broken patches. The atmosphere is heavy and oppressive, hazy with industrial moisture and warmth at 21°C, summer foliage on scattered trees in dark silhouette. Sodium streetlights cast orange pools along an access road in the foreground. High-voltage transmission lines and steel pylons cross the scene, symbolising the heavy import flows. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich dark palette of indigo, amber, and slate grey, visible impasto brushwork, atmospheric depth and chiaroscuro, meticulous engineering detail on each facility. No text, no labels.